Pal Art and Culture

I-Role:

Art is considered to be the expression of creative imaginations of human beings as well as it also identifies the culture of a particular time.Pal art has a special importance from this point of view, because it not only gave continuity and expansion to the flourishing art tradition of Bihar, which has been developing since the Mauryan period, but later it was also propagated at national and international level.

The major feature of Pala art can be seen in the context of development of various forms of architecture, sculpture, painting: –

A:-Architecture

Specialty:-

  • Mostly bricks are made, some also use stones.
  • Also influenced by religion, especially Buddhism [Pal dynasty ruler and Buddhist followers] and Hindu temples.

Evidence of Buddhist art:-

1-Monastery: –
 
The most important examples of Buddhist architecture in the Pala period appear in the context of “Monastery”. These Viharas {Monasterys} were originally built from the residence of monks and from the academic point of view.
 

Major Monastery  

Monastery
Builder
Odantpuri  [Vihar Sharif (not currently relic)]
Gopal
Vikramashila (Most Important)
Dharmapala
Sompur (present-day Bangladesh)
No Information


Vikramshila Monastery: Most Discussed and Excellent among Pal Monastery.

Important structural features:

Entrance doors, open courtyards, various rooms, two stores,steps.In addition to all these monasteries, South East Asian Shailendra Vambhi ruler Balaputradev built a Buddhist vihara in Nalanda. Whose style is influenced by both native and foreign style elements.

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pal Art
Stupa:-
The pre-existing Stupa construction tradition of Pal Kala also developed systematically.The structure of the stupas of Pala period can be understood in the following diagrams.The relics of Buddha and each of the signs are worshiped through this stupa.

pal Art
Chaitya (Buddhist Temple):-
The Chaitya construction tradition that was coming in the Pala period also developed. The proof of which is found in the Pal carpet area. The structural form of Chaitya can be understood from the following diagram.

pal Art
Hindu Temple:- There is also evidence of some famous temples in Pala period. For example, the Gaya Fa Vishnupad temple is a major feature of the structure of its crescent. Among other temples, the Kahalgaon (Bhagalpur) cave temple is notable.The temples of the Pala period reflect the influence of the North Indian temple building style [civil construction style].

B:-Sculpture

Sculpture has a notable place among the important features of the Pala period. Especially the bronze sculptures made at this time can be compared to the Chola bronze sculptures in South India at this time [contemporary of Pala dynasty]. The sculpture of the Pala period is mainly inspired by the sculptures of the Gupta period. Pal sculpture can be seen in two parts – 1-bronze sculptures 2-stone sculptures

1-Bronze Sculptures:-

Important features

  • The most outstanding among Pal idols
  • Molded
  • Ornamented

Major scavengers:-

Dhiman and vithpal {contemporary of Pal ruler Dharmapala, resident of Nalanda)
Bronze sculptures are mainly influenced by religion: – 1 – Buddhism affected:-The statues of Buddha and Bodhisattva are notable among the sculptures. 2- Influenced by Hinduism:-Statues of Vishnu, Balarama etc. in Hindu idols.Sculptures (bronze sculptures) of the Pala period are derived from Nalanda, Kukkihar (Gaya), Sultanganj (Bhagalpur) etc. The huge bronze bronze statue of Buddha from Sultanganj (Bhagalpur) is housed in the present-day Birmingham (England) Museum. This signifies the uniqueness of the Pala art.

2-Stone Statues:

During the Pala period, various statues of basalt stone were made mainly with bronze statues. These pulpers were sourced from Munger, Santhal Parganas etc.   Salient features of stone sculptures:-

  • Depiction of the front body
  • Ornamented

In addition to bronze and stone sculptures, there is evidence of forms of clay sculptures, pottery etc. in the forms related to Pala idol art. Which are used for decoration.


C:-Painting

Illustration art also has a special place under the Pala Kala, mainly two forms are visible.

 

1-Manuscript Illustration:-

  • These types of illustrations are found mainly on copper plates.
  • The purpose of making them was to expand and decorate the content.
  • The use of colors like red, black, yellow, white, etc. is found mainly in these paintings.
  • These types of paintings are considered to be in the category of miniatures, the main one being the picture called “Ashta Sahasrif Pragya Paramita” which is currently preserved in the library of Cambridge University “London”.
  • Buddhist Tantric art is also believed to have an influence on this painting.

2-Wall or Wall printing: –

  • Mural paintings or wall paintings are also notable in the Pala carpet paintings whose main features are :-Geometrically depicting humans, animals, flowers, etc.
  • Later, the effect of such illustration can also be seen in the context of Madhubani painting.
  • Typical examples of graffiti have been found from Saraitila (Nalanda).

 

II-Critical review and conclusion: –


It is clear from the above description that various forms of art developed during the Pala period. But Pala Kala was also criticized by art critics at some points, the major being the following: –

  • In most forms of art, repetition is a defect, that is, duplication of existing elements and lack of newness.
  • Under the sculpture, the sculptures of the Pala period are also built on the basis of the development of Mathura and Gandhara style in the post-Mauryan period and the sculptural style of the Gupta period.
  • The painting is mostly an iteration of the developed painting in Ajanta (Maharashtra), Bagh Cave (Madhya Pradesh) painting.
  • F is about special originality. In fact, due to the highly ornamentation of the idols, the effect of artificiality is more visible due to which the liveliness and naturalness are destroyed.
  • It has also been criticized for marking only the façade of the statues.
  • Despite all these criticisms, not only did the Pala rulers not only have a strong presence in the politics of pre-medieval India or else, in terms of development of sapatya art, sculpture, painting etc., Bihar’s glorious art, tradition also added new dimensions.

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